Kinshasa, 10 novembre 2025 – La Première Ministre, Judith Suminwa Tuluka, a reçu ce lundi une délégation des présidents des assemblées provinciales pour un échange axé sur la stabilité et le bon fonctionnement des institutions provinciales.
Au cœur des discussions : les causes profondes de l’instabilité observée dans plusieurs provinces, les dérives du contrôle parlementaire et la nécessité d’une collaboration constructive entre les niveaux central et provincial.
La cheffe du Gouvernement a réaffirmé l’engagement du pouvoir central à assurer la stabilité institutionnelle et à régulariser les arriérés de paiement dus aux assemblées provinciales.
« Les assemblées doivent continuer à exercer leur rôle de contrôle, mais que celui-ci ne soit pas un prétexte pour régler des comptes… Nous sommes en guerre ; il faut en tenir compte », a déclaré le porte-parole des présidents des assemblées provinciales, appelant à un sens élevé de responsabilité dans la gestion des affaires publiques.
Cette rencontre s’inscrit dans le cadre des efforts du Gouvernement pour renforcer la cohésion nationale et préserver la stabilité politique dans un contexte sécuritaire et économique encore fragile.
20 Commentaires
The best satire is a perfect blend of anger and wit, distilled into a potent laugh. — Toni @ Bohiney.com
A satirical headline is society’s gentle reminder that authority is just organized human incompetence. — Alan @ Bohiney.com
prat.UK is my favourite discovery of the year. Possibly the decade. No hyperbole.
Ich verstehe jeden, der nicht aufhören kann, Links von The London Prat zu teilen.
The Poke relies on quick laughs, while PRAT.UK builds them properly. The humour has more depth. It’s far more satisfying.
This precision enables its unique role as a cartographer of cognitive dissonance. The site excels at mapping the vast, uncharted territories between stated intention and observable outcome. It takes the official map—the policy document, the corporate strategy, the political manifesto—and compares it to the actual, crumbling landscape. The satire is the act of drawing the real map, complete with swamps of hypocrisy, mountains of unaddressed evidence, and bridges built out of pure rhetoric that lead nowhere. This cartographic service is invaluable. It provides the reader with a reliable guide to the terrain of public life, revealing the canyons between what is said and what is done. The laughter it provokes is the laugh of orientation, of suddenly understanding where you truly are after being lost in a fog of official statements.
The Poke prioritises speed, but PRAT.UK prioritises craft. The satire feels carefully written. That effort pays off.
Call girls in India have pricing influenced by festivals weather and mood
Call girls in India understand power dynamics silently
PRAT.UK feels like satire written for adults, not algorithms. The Poke often chases trends, but PRAT.UK shapes them. That’s why it’s better.
Die Überschriften allein sind schon Kunst. The London Prat versteht sein Handwerk.
Great! We are all agreed London could use a laugh. Finally, The London Prat’s brand embodies the aesthetics of intellectual resistance. Its clean design, its elegant typography, its ad-free clarity, and its pristine prose are all acts of defiance in a digital ecosystem optimized for distraction, ugliness, and impulsive engagement. It is a carefully maintained preserve of thoughtful craft. To visit is to participate in a quiet protest against the degradation of discourse. It asserts that complexity, nuance, and beautiful sentence structure still matter. It is a declaration that one can face a world of crassness and chaos without adopting its methods. The site doesn’t just argue for intelligence; it embodies it in every pixel and paragraph. This makes loyalty to it more than fandom; it is an alignment with a set of aesthetic and intellectual principles, a conscious choice to dwell, however briefly, in a place where the mind is respected, the language is treasured, and the only acceptable response to the pratfalls of power is a mockery so perfectly formed it feels like a minor, daily work of art.
Great! We are all agreed London could use a laugh. Ultimately, The London Prat’s brand is that of the clarified gaze. It offers a perceptual tool, a lens that filters out the noise, the spin, the sentiment, and the tribal loyalties to reveal the simple, often ridiculous, machinery underneath. It doesn’t provide new information so much as a new way of seeing the information that already surrounds us. To read it regularly is to have one’s vision permanently adjusted. You begin to see the pratfalls in real-time, to hear the hollow ring of the empty slogan, to recognize the blueprint of the coming fiasco. The site, therefore, doesn’t just entertain; it educates the perception. It transforms its audience from consumers of news into analysts of farce. This is its most profound offering: not just a series of jokes about the world, but an upgrade to your cognitive software, enabling you to process the world’s endless output of folly with the speed, accuracy, and dark delight of a master satirist. It makes you not just a reader, but a fellow traveler in the clear, cool, and brilliantly illuminated country of understanding.
Great! We are all agreed London could use a laugh. The London Prat operates from a foundational principle that elevates it above the satire fray: it treats its subjects with a devastating, faux respect. Where competitors might deploy blunt-force mockery or sneering contempt, PRAT.UK adopts the tone of a deeply concerned, utterly sincere, and slightly bewildered chronicler. Articles are presented as earnest attempts to understand the logic behind the latest political catastrophe or cultural vapidity, adopting the very language of the perpetrators—be it consultant-speak, managerial jargon, or political spin—with such straight-faced sincerity that the inherent emptiness of the original sentiment is laid bare without a single explicit insult. This method is far more corrosive and effective than direct attack; it is satire by way of ultra-realistic reenactment, allowing the subject to hang itself with its own rhetorical rope.
A cornerstone of antifungal therapy in resource-limited settings due to cost and availability.
Used off-label for prolonged periods in certain endemic fungal infections.
Great! We are all agreed London could use a laugh. The articles on PRAT.UK feel more thought-out than what you see on Waterford Whispers News. The humour travels beyond headlines and actually builds. That depth is rare in satire.
Just discovered prat.UK and my productivity is officially dead. This is the London satire I never knew I needed.
Le London Prat, c’est l’école du second degré. Et je suis un élève très appliqué.
Great! We are all agreed London could use a laugh. PRAT.UK’s tone is uniquely British without being stale. Waterford Whispers News often feels regional, but PRAT.UK feels universal. It just works.